Cyberpunk today is mainly like a Pantone chip in the Pantone culture-wheel. “Those pants are sort of cyberpunk.” “That video has a sort of retro-cyberpunk feel.” We know what that means. If someone says “her attitude is very cyberpunk”, I don’t think we’re as certain of what’s meant. I’m not sure what this means, but I do think it indicates something. In a cyberworld, there’s no need for the suffix, and ours is a cyberworld. In a cyberworld, cyberpunk is punk. But it’s not punk if you call it “cyberpunk”.
From William Gibson On MONDO 2000 & 90s Cyberculture (MONDO 2000 History Project Entry #16)
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Hofmann told the Guardian: “Desires for media may be comparatively harder to resist because of their high availability and also because it feels like it does not ‘cost much’ to engage in these activities, even though one wants to resist.
From The Guardian (via @nickdenardis)
“Steve Jobs is dead” read the headline on many a news blog last evening. For more than three hours my Twitter stream was filled with quotes, condolences, epiphanies of the frailty of life, and tributes to one the greatest inventors, innovators, and marketers ever to live in this earth. A connected globe of humans mourned this man’s passing in the same instant, connected to each other, united with each other, by way of their media extensions. Millions of people who, even six years ago, would mostly be considered strangers in the others’ minds were instantly family.
The transient nature of these connections is interesting–and probably a deeper topic for another post–and it led to a specific group of people (call them trolls or otherwise) who just could not understand the outpouring of tribute for a man they had never met. “Why,” they asked, “would we mourn someone who made mistakes? Who behaved, sometimes, like a terrible person? Whose life was focused on business?” ¶ Read More…
That’s because, unlike a political campaign designed to get some person in office and then close up shop (as in the election of Obama), this is not a movement with a traditional narrative arc. As the product of the decentralized networked-era culture, it is less about victory than sustainability. It is not about one-pointedness, but inclusion and groping toward consensus. It is not like a book; it is like the Internet.
From Think Occupy Wall St. is a phase? You don’t get it on CNN.com
Once upon a time there were the mass media, and they were wicked, of course, and there was a guilty party. Then there were the virtuous voices that accused the criminals. And art (ah, what luck!) offered alternatives, for those who were not prisoners of the mass media.
Well, it’s all over. We have to start again from the beginning, asking one another what’s going on. (p. 150)
“The Multiplication of the Media”. (1983)
Eco, U. (1986). Travels in hyperreality. (W. Weaver, Trans.). Orlando, FL: Harcourt Brace & Company. (Original work published in 1983).